with Miranda Cuckson
with Miranda Cuckson and Jay Campbell
with TAK Ensemble
Haptic-Adaptive Remembrance Processor, or HARP, is a work of fiction centered around a touch-based interface capable of synthesizing memories in real time. The machine interprets the operator’s live input, translating data into remembrances that are seamlessly integrated into the operator’s own memory.
"The Street is a set of meditations on the fourteen stations of the cross scored for solo harp. Each movement can, in some performances, be paired with plainchant, chosen to augment and in some cases provide counterpoint to the traditional narrative of Good Friday.
A reimagining of the Seven Last Words from the Cross for harp and electronics.
Commissioned by IRCAM in 2023, this new work 35-minute work for harp and electronics comprises a series of solo tombeaux in memory of the composer’s father, evoking and quoting similar forms by composers such as Marais, Froberger and Weiss.
A musical ode inspired by one of New York’s more iconic monuments.
When I Am Among the Trees is titled after Mary Oliver’s eponymous poem, composed for singing harpist, harp and two custom harps built by the composer herself.
Omolu is a work for harp in an extreme scordatura. It evokes the eponymous orisha Omolu, whose face is so disfigured by an unnamed illness that it must be covered.
For solo harp, utilizing a scordatura which renders the possibility of modes of limited transposition.
A work for amplified harp and electronics.
arranged for solo harp